For best experience please turn on javascript and use a modern browser!
You are using a browser that is no longer supported by Microsoft. Please upgrade your browser. The site may not present itself correctly if you continue browsing.
Hiemstra, A., & Sadakata, M. (2024). Sentences used in the speech-to-song illusion: Comparisons of acoustic vowel space. Musicae Scientiae, 28(3), 520-538. https://doi.org/10.1177/10298649231224786[details]
Chen, A., Çetinçelik, M., Roncaglia-Denissen, M. P., & Sadakata, M. (2023). Native language, L2 experience, and pitch processing in music. Linguistic Approaches to Bilingualism, 13(2), 218-237. https://doi.org/10.1075/lab.20030.che[details]
Sadakata, M., Weidema, J. L., Roncaglia-Denissen, M. P. M., & Honing, H. (2023). Correction: Parallel pitch processing in speech and melody: A study of the interference of musical melody on lexical pitch perception in speakers of Mandarin. PLoS ONE, 18(3). https://doi.org/10.1371/journal.pone.0283262
Sadakata, M., Yamaguchi, Y., Ohsawa, C., Matsubara, M., Terasawa, H., von Schnehen, A., Müllensiefen, D., & Sekiyama, K. (2023). The Japanese translation of the Gold-MSI: Adaptation and validation of the self-report questionnaire of musical sophistication. Musicae Scientiae, 27(3), 798-810. https://doi.org/10.1177/10298649221110089[details]
Scarratt, R. J., Heggli, O. A., Vuust, P., & Sadakata, M. (2023). Music that is used while studying and music that is used for sleep share similar musical features, genres and subgroups. Scientific Reports, 13, Article 4735. https://doi.org/10.1038/s41598-023-31692-8[details]
Yamashita, M., Osawa, C., Suzuki, M., Guo, X., Sadakata, M., Otsuka, Y., Asano, K., Abe, N., & Sekiyama, K. (2022). Neural Advantages of Older Musicians Involve the Cerebellum: Implications for Healthy Aging Through Lifelong Musical Instrument Training. Frontiers in Human Neuroscience, 15, Article 784026. https://doi.org/10.3389/fnhum.2021.784026[details]
Goltz, F., & Sadakata, M. (2021). Do you listen to music while studying? A portrait of how people use music to optimize their cognitive performance. Acta Psychologica, 220, Article 103417. https://doi.org/10.1016/j.actpsy.2021.103417[details]
Terasawa, H., Matsubara, M., Goudarzi, V., & Sadakata, M. (2021). Music in Quarantine: Connections Between Changes in Lifestyle, Psychological States, and Musical Behaviors During COVID-19 Pandemic. Frontiers in Psychology, 12, Article 689505. https://doi.org/10.3389/fpsyg.2021.689505[details]
Groenveld, G., Burgoyne, J. A., & Sadakata, M. (2020). I still hear a melody: investigating temporal dynamics of the Speech-to-Song Illusion. Psychological Research, 84(5), 1451–1459. https://doi.org/10.1007/s00426-018-1135-z[details]
Sadakata, M., Weidema, J. L., Roncaglia-Denissen, M. P., & Honing, H. (2020). Parallel pitch processing in speech and melody: A study of the interference of musical melody on lexical pitch perception in speakers of Mandarin. PLoS ONE, 15(3), Article e0229109. https://doi.org/10.1371/journal.pone.0229109[details]
Smit, E. A., & Sadakata, M. (2018). The effect of handedness on spatial and motor representation of pitch patterns in pianists. PLoS ONE, 13(5), Article e0195831. https://doi.org/10.1371/journal.pone.0195831[details]
Smit, E. A. & Sadakata, M. (2016). The effect of handedness on spatial and motor representation of pitch patterns in pianists. EASY. https://doi.org/10.17026/dans-28h-c53v
Thorin, J., Sadakata, M., Desain, P., & McQueen, J. M. (2018). Perception and production in interaction during non-native speech category learning. The Journal of the Acoustical Society of America, 144(1), 92-103. https://doi.org/10.1121/1.5044415[details]
2017
Weijkamp, J., & Sadakata, M. (2017). Attention to affective audio-visual information: comparing individuals with varying musical experience. Psychology of Music, 45(2), 204-215. https://doi.org/10.1177/0305735616654216[details]
2016
Hansen, N. C., Sadakata, M., & Pearce, M. (2016). Nonlinear Changes in the Rhythm of European Art Music: Quantitative Support for Historical Musicology. Music Perception, 33(4), 414-431. https://doi.org/10.1525/MP.2016.33.4.414[details]
Roncaglia-Denissen, M. P., Roor, D. A., Chen, A., & Sadakata, M. (2016). The enhanced musical rhythmic perception in second language learners. Frontiers in Human Neuroscience, 10, Article 288. https://doi.org/10.3389/fnhum.2016.00288[details]
Schaefer, R. S., Beijer, L. J., Seuskens, W., Rietveld, T. C. M., & Sadakata, M. (2016). Intuitive visualization of pitch and loudness in speech. Psychonomic Bulletin & Review, 23(2), 548-555. https://doi.org/10.3758/s13423-015-0934-0[details]
Honingh, A., Panteli, M., Brockmeier, T., López Mejía, D. I., & Sadakata, M. (2015). Perception of timbre and rhythm similarity in Electronic Dance Music. Journal of New Music Research, 44(4), 373-390. https://doi.org/10.1080/09298215.2015.1107102[details]
2014
Sadakata, M., & McQueen, J. M. (2014). Individual aptitude in Mandarin lexical tone learning predicts effectiveness of high-variability training. Frontiers in Psychology, 5, Article 01318. https://doi.org/10.3389/fpsyg.2014.01318[details]
Sadakata, M., Shingai, M., Sulpizio, S., Brandmeyer, A., & Sekiyama, K. (2014). Language Specific Listening of Japanese Geminate Consonants: A Cross-linguistic study. Frontiers in Psychology, 5, Article 01422. https://doi.org/10.3389/fpsyg.2014.01422[details]
Timmers, R., & Sadakata, M. (2014). Training expressive performance by means of visual feedback: existing and potential applications of performance measurement techniques. In D. Fabian, R. Timmers, & E. Schubert (Eds.), Expressiveness in music performance: Empirical approaches across styles and cultures (pp. 304-327). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199659647.003.0017[details]
2013
Brandmeyer, A., Sadakata, M., Spyrou, L., McQueen, J. M., & Desain, P. (2013). Decoding of single-trial auditory mismatch responses for online perceptual monitoring and neurofeedback. Frontiers in Neuroscience, 7, Article 265. https://doi.org/10.3389/fnins.2013.00265[details]
Sadakata, M., & McQueen, J. M. (2013). High stimulus variability in nonnative speech learning supports formation of abstract categories: Evidence from Japanese geminates. The Journal of the Acoustical Society of America, 134(2), 1324-1335. https://doi.org/10.1121/1.4812767[details]
Honing, H., Bouwer, F. L., Burgoyne, J. A., Sadakata, M., Damsma, A., Baelemans, M. C. E., Janssen, B. D., & Young, Z. (2022). ToontjeHoger: ToontjeHoger is een website met spelletjes die de luisteraar laat inzien dat zij muzikaler is dan je zou denken.. Web publication or website https://toontjehoger.amsterdammusiclab.nl/toontjehoger/about
2023
Bais, O. B., Bouwer, F. L., & Sadakata, M. (2023). Exact repetition is not needed for the Speech-to-song transformation.
Membership / relevant position
Sadakata, M. (2018-2023). Ethics Committee, .
Journal editor
Honing, H. (editor), Bouwer, F. (editor), Burgoyne, A. (editor), Sadakata, M. (editor), Damsma, A. (editor), Baelemans, M. (editor), Janssen, B. (editor) & Young, Z. (editor) (2022-). ToontjeHoger (Journal). https://toontjehoger.amsterdammusiclab.nl/toontjehoger/about
Sadakata, M. (editor) (2019-2023). PLoS ONE (Journal).
Talk / presentation
Sadakata, M. (speaker), Bouwer, F. (speaker) & Bais, O. (speaker) (24-8-2023). Exact repetition is not needed for the Speech-to-song transformation, 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo.
Others
Sadakata, M. (participant) (1-9-2022 - 31-8-2023). 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo. Chair of the program committee (organising a conference, workshop, ...).
2016
Smit, E. A. & Sadakata, M. (2016). The effect of handedness on spatial and motor representation of pitch patterns in pianists. EASY. https://doi.org/10.17026/dans-28h-c53v
The UvA uses cookies to measure, optimise, and ensure the proper functioning of the website. Cookies are also placed in order to display third-party content and for marketing purposes. Click 'Accept' to agree to the placement of all cookies; if you only want to accept functional and analytical cookies, select ‘Decline’. You can change your preferences at any time by clicking on 'Cookie settings' at the bottom of each page. Also read the UvA Privacy statement.