Masterclass and workshop with Eugenie Brinkema | Potgieterzaal, University Library
|Date||10 May 2019|
Professor Brinkema’s talk, entitled “The Violence of Fascination: Martyrs, Torture and Form, focuses on Pascal Laugier’s 2008 new-extremist horror film Martyrs, arguing that the film generates a formal violence that is coextensive with the very aesthetic fascinations that structure it, rendering an account of violence that is monstrative and creative, cinematically demonstrating not the violation of body but the impersonal, non-embodied violence of a fascination with formal possibility, one shared by horror and metaphysical philosophy.
Her workshop will explore issues of radical formalism, ethics, violence, and negative affect in film and critical theory.
Eugenie Brinkema is Associate Professor of Contemporary Literature and Media at the Massachusetts Institute of Technology and currently a fellow in Media Studies at the University of Amsterdam. Her research in film and media studies focuses on violence, affect, sexuality, aesthetics, and ethics in texts ranging from the horror film to gonzo pornography, from structuralist film to the visual and temporal forms of terrorism. Her articles have appeared in the journals Angelaki, Camera Obscura, Criticism, differences, Discourse, film-philosophy, The Journal of Speculative Philosophy, qui parle, and World Picture. Recent work includes articles on irrumation and the interrogatory in violent pornography and the formal affectivity of no longer being loved in Blue is the Warmest Color. Her first book, The Forms of the Affects, was published with Duke University Press in 2014.
All are welcome. To receive workshop reading, please email: firstname.lastname@example.org