Artists tend to work across disciplines and “art cannot be disciplined” (Hito Steyerl). Taking the case of W.G. Sebald’s interdisciplinary word and image practice on memory and presences of (migratory) lives as touchstone for our discussions, this conference seeks to foster academic, professional, artistic and public scholarship by exploring cutting-edge interdisciplinary research, findings, techniques, practices and theoretical advances in the areas of memory, word and image. Which role do art and literature play in this regard?
|Start date||12 December 2019|
|End date||14 December 2019|
The conference turns to a fascinating author, whose work resonates with questions of memory, interdisciplinarity and related artistic practice. Sebald was engaged with the “enigmatic difference” between material truth and historic truth that Jacques Derrida notes in Archive Fever. His literary prose, which exists in the interspace of poetry, novel, essay, (auto)biography, Shoah memorial and travelogue, contains meticulous reflections on non-human entities and natural phenomena. Sebald’s writing generates peculiar relationships between the world of words, objects and the world of images, manifested in his specific practice of embedding images into the tissue of the text.