New Book by Patricia Pisters: Filming for the Future

6 January 2016

Patricia Pisters, Filming for the Future: The Work of Louis van Gasteren (Amsterdam: Amsterdam University Press, 2015)

Book on the work of Grand Old Master of Dutch cinema Louis van Gasteren; illustrated and including 3 DVDs containing 7 films (with English subtitels). Published by Amsterdam University Press.

Louis van Gasteren (b. 1922) is one of the Netherlands’s most prolific filmmakers. He has made about eighty documentaries as well as two feature films, art works, and several publications. His film NOW DO YOU GET IT WHY I AM CRYING? (1969) played an important role in the recognition of the enduring psychological effects of war trauma. HANS LIFE BEFORE DEATH (1983) presents a deeply empathic portrait of the post war generation of youth rebels in Amsterdam in the 1960s that addresses major existential questions. In his autobiographical film, NEMA AVIONA ZA ZAGREB (2012), Van Gasteren declares his passion for filming and his desire to register everything from both the outer world as well as from inner life. This book presents a journey through the rich audio-visual and artistic sources of the world of a filmmaker who, over the last sixty years, and long before we all became accustomed to carrying mobile cameras in our pockets, always had his camera on standby. Van Gasteren has been relentless in filming a range of topics, phenomena, and events of national and international scope and universal value. His camera eye was visionary, documenting not only the tumultuous happenings of the different presents that he witnessed, but also the return of the past and anticipation of the future. His work demonstrates a fascination for technology, a deep interest in politics, and a continuous concern for the traumatic effects of war and the passage of time itself; always looking for new doors of perception, always returning to his home in Amsterdam, always departing again to new or recurring points of interest. Filming for the Future explores the most salient features of a wide-ranging and vital oeuvre that becomes ever more amazing and important as time goes by. Van Gasteren’s work is an invaluable source of historical documentation and percipient cultural analysis made by an adventurous ‘participating observer’ of the twentieth century that is worthwhile (re)discovering in and for the twenty-first century.

Published by  ASCA