'Drawd too architectooralooral’: Ambiguous Architecture in Charles Dickens

15Mar2018 17:00

Event

English Department Lecture by Ben Moore

Unfortunately Prof de Bruyn has had to cancel his planned visit to Amsterdam in March, so will no longer be able to speak in the English Department Guest Lecture Series. However, his lecture will be replaced by a talk from our very own Ben Moore, on the topic ‘Drawd too architectooralooral’: Ambiguous Architecture in Charles Dickens

Abstract

This paper considers architecture in Dickens’s writing, starting from Joe Gargery’s claim in Great Expectations (1860-61) that the Blacking Warehouse he visits in London does not come up to its likeness as portrayed in shop doors, since ‘it is there drawd too architectooralooral’. With Joe’s term ‘architectooralooral’, architecture becomes an eruption of excess and ornamentation which language cannot control, while at the same time being no longer confined to grand monumental buildings, extending instead to everyday warehouses and shops. Joe’s perspective counters the outlook of Mr Pecksniff from Martin Chuzzlewit (1843-44), for whom architecture consists of Gothic churches and little else, and who serves to satirise the Gothic architect A.W.N. Pugin. Joe’s comment, the paper argues, can be taken as a key to Dickens’s approach to architecture, which undoes the solidity and boundedness typically associated with the built environment, making Dickens a writer of ‘anti-architecture’. The paper expands on this theme with reference to a wide range of Dickens’s novels and letters, culminating in a comparison between Dickens and John Ruskin’s descriptions of St Mark’s Cathedral in Venice.

All UvA students, staff and members of the public are welcome to attend.

About

Ben Moore is Assistant Professor in English Literature at the University of Amsterdam. His work focuses on the modern city, architecture, and forms of 19th-century modernity, often in relation to Marxism and psychoanalysis. He has published on topics including Charles Dickens and childhood, Benjamin Disraeli’s novel Sybil, Walter Benjamin’s Arcades Project, and evolution in Charles Kingsley. He has also written several short pieces of contemporary cultural criticism as part of the Everyday Analysis group. His next major project will consider money in nineteenth-century literature.

 

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Published by  ASCA